Developed during my postgraduate degree in Creative Communication and Advertising at Universidade Católica de Lisboa. The brief: Mandriola de Lisboa — a wine brand barely a month old, named after the city's calm, carefree street cats — needed a campaign that could carry it through its first three years.

A brand this new has no history of its own — so we borrowed one, on purpose.
Fado is the musical style tourists already associate with "real" Lisbon — melancholic, traditional, instantly recognisable. Rather than compete with that association, Fado Mandriola leaned into it: pairing the brand's cat mascot with real Fado imagery and figures, so a brand-new wine could borrow the emotional weight of a century-old tradition, while still feeling playful rather than reverent.
Proposed placements across the city — bus shelters, posters, banners — putting the campaign where tourists already look for "authentic" Lisbon.

Rather than license an existing song, the campaign includes an original Fado composed specifically for Mandriola — "Mandriolings" — carrying the brand's name into the tradition itself.
De Lisboa para o mundo
Surge um gato lá do fundo
A miar por mandriola
Com a mão numa viola
Seja em tardes de sesta
Ou noites de festa
Faça-se música bem alto
E gritemos em contralto:
"Mandriola! Mandriola!
Silêncio,
que se vai beber o mandriola
Mandriola! Mandriola!
Vamos miar por mandriola,
Miau!"
A set of prints referencing real Fado figures, applied to the bottle itself — small details that turn the product into part of the campaign.

A small custom icon set — pouring, uncorking, toasting, singing — built specifically for the campaign rather than pulled from a library.








This is the project that stretches furthest past visual design alone — concept, illustration, print, social, out-of-home, and an original piece of music, all built around a single strategic idea. It's proof that campaign thinking, not just execution, is something I can carry end to end.